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--- wiki:mockumentary_of_tokyo [2024/04/08 03:41] – kisu_odd
+++ wiki:mockumentary_of_tokyo [2024/04/08 20:22] (current) – kisu_odd
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 ====== Mockumentary Of Tokyo ======
-<WRAP center round todo 60%>
-This page is still under construction
-</WRAP>
@@ Line 13: / Line 10: @@
 ====== Structure ======
 \\
+The song is 4 minutes, 40 seconds long. The majority of the song follows a familiar blending of electronics with bouncy metalcore riffs which The Ohayogozaimas is known for. The song opens with an electronic buildup before a drum count in brings the whole band in for the main riff and screamed vocals by Saba. The riff repeats for an instrumental passage with the drum work being scaled back to relieve a little bit of tension. After this, A buildup section starts with Saba and Nagi exchanging lines. The payoff for the build up is a calmer, rap instrumental section with some vocals by Saba interspersed throughout. It's followed by a pre-chorus which teases the chorus' melody, afterwards, the chorus is unleashed, repeating a single line. The song repeats from the instrumental main riff section, this time with an alternate guitar part for the buildup and Utsu-P rapping during the instrumental rap passage. After another repeat of the pre-chorus and chorus, The open notes hang as Nagi shouts out a long passage leading into the slow, crushing breakdown of the song. There is a short refrain section which is built off of the pre-chorus, and an alternate chorus build-up for the end of the song. The main riff plays one more time, and bookends the song with the bouncy metalcore riff and Saba screamed section from the beginning.
 ====== Live Performances ======
+This song is rarely performed by The Ohayogozaimas live.
 ====== Lyrics ======
 (Color coded to <fc #00fdfd>Nagi</fc> and <fc #fd0000>Utsu-P's</fc> solo lines.)\\
@@ Line 24: / Line 21: @@
 本気ぶる　<fc #00fdfd>滑稽な人向け</fc>\\
 即、決まる　<fc #00fdfd>脚本の方向性</fc>\\
-さあ行け　<fc #00fdfd>体験談</fc>　再現VTR　４ページ<fc #00fdfd>漫画</fc>\\
+さあ行け　<fc #00fdfd>体験談</fc>　再現<fc #00fdfd>VTR</fc>　４ページ<fc #00fdfd>漫画</fc>\\
 \\
 嫌な上司やクレーマーや老害が　カメラ目線で論破されてる\\
@@ Line 37: / Line 34: @@
 真贋は関係ないぜ\\
 \\
-道楽でさえも今や簡略化の波\\
+道楽でさえも今や<fc #00fdfd>簡略化の波</fc>\\
-ガス抜きでさえも今や簡略化の波\\
+ガス抜きでさえも今や<fc #00fdfd>簡略化の波</fc>\\
-時間ねえさ　金銭ねえさ　割く枠ねえさ\\
+時間<fc #00fdfd>ねえさ</fc>　金銭<fc #00fdfd>ねえさ</fc>　割く枠<fc #00fdfd>ねえさ</fc>\\
 \\
-レバー回せば光って儲かったり　うわべの応援を４つ打ちに乗せたり\\
+<fc #fd0000>レバー回せば光って儲かったり　うわべの応援を４つ打ちに乗せたり\\
-あったかどうか定かじゃない話に　舌鼓打ち鳴らしてんの\\
+あったかどうか定かじゃない話に</fc>　舌鼓打ち鳴らしてんの\\
-そんな憂さ晴らしコンテンツはまさに　「管理された幸せ」と分かってるのに\\
+<fc #fd0000>そんな憂さ晴らしコンテンツはまさに　「管理された幸せ」と分かってるのに\\
-簡易息抜き常用癖のドキュメンタリー　VICEクラスでも映像化不可能\\
+簡易息抜き常用癖のドキュメンタリー</fc>　VICEクラスでも映像化不可能\\
 \\
 誰かの鬱憤が晴れる為には　やむを得ない　やむを得ない\\
@@ Line 52: / Line 49: @@
 それでは街の声をどうぞ\\
 \\
-「あーだこーだ言われたって　通勤電車に耐えるために\\
+<fc #00fdfd>「あーだこーだ言われたって　通勤電車に耐えるために\\
 今日も感動＆スカッと系ポルノや　セルアウトソングで\\
-射幸心と踊るしか無えんだよ」\\
+射幸心と踊るしか無えんだよ」</fc>\\
 \\
 文化崩壊　だが関係ない　中毒者には\\
@@ Line 121: / Line 118: @@
 "Nandemo yoikara" to izen, tsugi no hiirou o hosshiteiru
 ====== English translated lyrics ======
+(Color coded to <fc #00fdfd>Nagi</fc> and <fc #fd0000>Utsu-P's</fc> solo lines.)\\
+\\
+In a city tired of the heavy traffic from trains and monsters,\\
+Here comes a hero who matches the demand found on social media sites\\
+\\
+It's serious, <fc #00fdfd>for the comical people</fc>\\
+Instantly, <fc #00fdfd>The direction of the screenplay is decided</fc>\\
+Come on, Go! <fc #00fdfd>Replay </fc>the story<fc #00fdfd> of your experience </fc>using the video tape recorder <fc #00fdfd>and a 4 page manga</fc>\\
+\\
+Then there's the mean bosses, the complainers, the gerontocracy which harms society, proving their arguments wrong while staring straight at the camera\\
+Child, gyaru, foreigner, grandfather, grandmother, it captures the essence of what they all talk about\\
+\\
+It's someone's way to blow off steam, Isn't that true? Isn't that true?\\
+\\
+It's more convenient to do it that way, Isn't that great? Isn't that great?\\
+It's more convenient to do it that way, Isn't that great? Isn't that great?\\
+Mockumentary of Tokyo\\
+\\
+Authenticity has nothing to do with it\\
+\\
+Even your pastimes are being caught up <fc #00fdfd>in the wave of simplification of today</fc>\\
+Even venting is <fc #00fdfd>subject to simplification of today</fc>\\
+No time<fc #00fdfd> to spare</fc>, no money<fc #00fdfd> to spare</fc>, no room for <fc #00fdfd>anything else</fc>\\
+\\
+<fc #fd0000>You can make more money by turning the lever to turn the brightness up or by using a simple four-on-the-floor beat\\
+I'm smacking my lips over a story </fc>which may not have even happened\\
+<fc #fd0000>Such content used as escapism is known for "controlling happiness"\\
+A documentary on the addiction of simple relaxation </fc>is impossible to visualize as a VICE class\\
+\\
+Someone's resentment can't be relieved, it can't be helped, it can't be helped\\
+\\
+It's more convenient to do it that way, Isn't that great? Isn't that great?\\
+It's more convenient to do it that way, Isn't that great? Isn't that great?\\
+Well here's what the city has to say\\
+\\
+<fc #00fdfd>「Ah! I'm just trying to put up with the commute on the train\\
+Today too, There's inspirational stories, revenge fantasies, and sell-out songs\\
+All you can do is dance around with your speculative spirit」</fc>\\
+\\
+Culture is falling apart, but it doesn't matter to the addicted fans\\
+\\
+I don't care if it's a forgery or boast\\
+I want to feel like I've been rescued\\
+\\
+It's more convenient to do it that way, Isn't that great? Isn't that great?\\
+It's more convenient to do it that way, Isn't that great? Isn't that great?\\
+It's fruitless to say what the truth is\\
+Mockumentary of Tokyo\\
 \\
+In a city tired of the heavy traffic from trains and monsters\\
+Still wanting the next hero "No matter what it takes"
 ====== Trivia ======
   * An original draft of this song included a riff which Utsu-P scrapped due to sounding too much like [[wiki:B'z|B'z]].